Arie Monroe-Illustrator

Arie Monroe-Illustrator

Arie Monroe As an Illustrator and Entreprenuer

By Marwa Raja

Do you appreciate the creative mind of an artist? Do you yearn for artistic passion? If your answers are yes- Arie Monroe is the woman you want to know. Monroe has dedicated her life to the life of an artist. It started with the simple passion for illustration as a young adolescent. Illustrating was her escape, it was her go-to space; a place you couldn’t physically enter. A space to mentally unwind and create a world of her own. Like many artists, Monroe believes in working for a purpose. Her purpose is happiness.

Arie Monroe is our very own Kansas City, Missouri, native artist. She received a BA in Studio Art from the University of Missouri Kansas City, giving her a strong foundation in fine arts and computer illustration. Then later attended a school in New Jersey at the Joe Kubert School of Cartoon Graphics, where she studied Character Animation and Comic Book Illustration. Monroe specifically gravitated towards caricature artistry. As an experienced character designer and illustrator, she has worked in the comics and animation industry for companies such as, Warner Brothers, Dreamworks, Crayola, and has had her work published in several books including African American Classics, Black Comix, and Return of Black Comix 2017.

As an African American woman, Monroe is able to break down walls in a male-dominated field. Her unique illustrations reflect a richness of culture and diversity.

If you are looking for a broader perspective to pique your interest, Arie Monroe is the artist you want to know.  In 2015, after many years of working for other companies, Monroe decided to take her work to the next level and officially started Drawlikecrazy Studios LLC.  This began her journey as a small business owner working with private clients to provide caricature entertainment and custom Illustration for books. She believes in working hard and providing the finest quality artwork for her clients and working closely with individuals to take care of their artistic needs.

If you would like to know more about Arie, take a listen to the recent podcast with illustrator herself.

Visit https://www.drawlikecrazy.net/ to connect with Arie.

Vincente Perez Experiences About Race & Identity

Vincente Perez Experiences About Race & Identity

Vincente Perez Experiences about Race & Identity

By Marwa Raja

For today’s segment, we introduce Vincente Perez; a Poet, activist, musician and more. Perez focuses on the experiences of race in America through several mediums. For those who have suffered from an identity crisis, Vincente Perez is the name you need to know. His work centers on Black and Latino experiences with a special emphasis on narrative and identity politics.

“I attempt to let narrative drive my attempts to interpret and analyze the world where people like me aren’t allowed to fully exist” (Perez.)

Perez has the talent to introduce Anthropology, Race/Ethnic Studies, and poetry with narrative to discuss the intricacies of multiracial experiences. He partakes in the ability to weave between various artistic and academic genres to produce a narrative that can hold its own in either genre.

According to Perez; he is continuously working on exploring the liminal space that multiracial folks are suspended in as a way to discuss and illuminate the essential nature of race and identity politics in this particular moment in history. His interest in politicizing identity is of means to an end and not an end unto itself.

His work consists of a mixture of performance tactics including, but not limited to, spoken word poetry, hip-hop, and storytelling. Perez finds it most important to highlight the importance of performance analytics when studying human interactions. In order to try to challenge the elite nature of art and art practiced by mobilizing marginalized narratives and language to interject dominant narratives. The beautifully executed blend of activism and academic ideas are used to underline the political nature of art-making and the blind-spots within academic communities.

“If art is to transgress it must take on the things about ourselves we take for granted. I take a central focus in my art to put all of these concepts and critiques into action via performance” (Perez). Throughout the journey of figuring questionable comfort over which culture he could belong, Vincente found his voice. A voice he has used to express and educate those who suffered an identity crisis and those who are simply unaware of cultural differences. To learn more about Vincente Perez take a listen to the podcast provided.

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Mother Moses Speaks

Mother Moses Speaks

Mother Moses and Generational Family Stories

By Marwa Raja

There are various ways to describe Mother Mary Moses, allow me to jot it down to three- soulful, committed, and heartfelt. As a young woman, Mother Mary Moses went by the name of Mary Moore as a committed blues singer. Her journey as a singer her to a life of activism and as a spoken word artist. The Blues ran in her blood from the very beginning and she has used her talented vocals till this very day.

From living as a blues singer, to being a mother and devoting herself to activism; Mother Mary Moses has lived a full life. A life through which she has learned the hardest of lessons and gained full experiences.  Mother Mary Moses wrote, produced, and starred in her first one-woman musical play in 2000, entitled “Lest We Forget”, a short tour in Kentucky, and presentation in Bermuda. She was one of eleven African Americans to participate in the historical “Middle Passage Monument Project” event, lowering a monument in the world’s largest unmarked grave site in the Atlantic Ocean. In 2000 she participated in another historical event in Harlem, welcoming The Amistad to the Hudson in Harlem, both historical event’s recorded by news agencies from around the world.

Another original piece by Mother Mary Moses is “Meet me at the TABLE” which was first presented in New Haven, Ct and in Kansas City; which charted new ground to lead the charge to rescue and save America’s urban youth. Currently, Mother Mary Moses is releasing the follow-up piece entitled “Back to the Table”- a masterpiece encouraging society to bring back the importance of family dynamics. If you are looking for a chance of enlightenment and the opportunity to be inspired, Mother Mary Moses is the woman for you. To learn more about Mother Mary Moses and her recent work please listen to the podcast shared.

Mother Moses is a jazz artist, storyteller, activist, and spoken word artist who tells stories to the community. If you would like to invite her to your community gathering or event, please contact us.

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Ben Lee-Comic Book Artist

Ben Lee, Comic Book Artist

By Marwa Raja

This month’s podcast features the founder of a comic publishing company called Big Head Productions, Ben Lee. Ben solely runs Big Head Productions as it was his calling to action.

Calling it quits to his daytime job that didn’t exceed his expectations of content and happiness, Ben searched for an opportunity to work with passion. Breaking into the comic industry is almost impossible on your own, but with the motivational influence comics had on Ben, he chose to chase the dream. Ben is currently the illustrator, author, and publisher for Big Head Productions-or as I like to call it, a triple threat. His love for comics and illustration has provided him the ability to constantly put in the creative work he delivers. The most fitting way to describe Ben would just be “big” because his passion is immense, enough to motivate a room of people to chase their Dreams-I should know, I interviewed him, and his voice is loud with engagement because he knows exactly what he wants and he’s in the middle of making it happen.

It is safe to say Ben Lee offers comical stories intended for mature audiences unlike any other.

His work ethic consists of staying true to himself and providing human stories we can al appreciate. His most recent series “Lost In The Middle” is the story of Aaron Lee; your average Asian-American who is faced with a troubling response to racism. Throughout the series, Aaron is faced with confronting his own inner demons in order to grow and heal in a comical sense.

Each story is covered beautifully with illustrations that will keep your eyes peeled to every page. It is refreshing to read a comic that doesn’t rely on a hook or gimmick because let’s be honest–most engaging stories follow along a path that usually comes at the cost of the story. Ben Lee has created a diversifying opportunity in the comic industry because there just isn’t enough of it. His venture of creating a publishing company was done to provide a platform for other aspiring professionals to get their work out for the world to see. Take the time to read his latest comic, “Lost In The Middle,” and I promise you’ll enjoy each minute of it. To learn more about Ben Lee and his venture, follow the podcast provided.

*Contains Adult Content*

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Richard Blanco Inclusion and One Today

Richard Blanco Inclusion and One Today

 

 

Connectedness, inclusion, and community are themes that one will find when reading the picture book narrative poem, One Today. In One Today, Richard Blanco shows a literary celebration of how we are all connected no matter if someone is a teacher, a mother or father, a truck driver, or a shop owner. Blanco embarks the reader on a narrative of different individuals following their day-to-day goals. The art illustrates how we are all connected on this One Day. It illustrates that we are together and everyone is included. Blanco remarked that, “I love the word inclusion. I like the word inclusion where it is a come as you are party. Everyone is welcome. We all in our own endeavors belong to this larger role.”

One Today’s words and images gives the ready and experience of engaging and relevant artists. One who is a “One Today’s vision is that we did not change one idea with the poem. The paintings help to engage in the poem. I like that the book itself gives kids an early experience that poetry is relevant.”

Richard Blanco

How were you chosen to present at the inauguration?
It is still a mystery to me that they never really tell you. When I think of it however, that the president and I have similar biographical histories. I was conceived in Spain. Forty-Five days later, we immigrated to the United States. So a lot of the themes in my work identifying the themes as Am I American? Am I Cuban? Do I belong? What is my identity? I think about cultural negotiation, place, identity, and belonging.

As a little boy I can see him asking those same questions in terms in another layer of race too. We also had very influential grandmothers who played special roles in each of our lives. So I am thinking that if he was presented with poets I am thinking that that’s what closed the gap. I have always admired him in that way where he is an American dream come true. I have always been chasing that or asking in terms what that means.

Why was Dav Pilkey chosen as your illustrator?

I just love his work in the Caldecott honor book, the Paperboy. I feel that my writing is filled and lush with imagery and I see our work braided together. Dav’s work does not leave one blank dead space on the canvas and that’s how I feel how writing is. It is emotional a well. He uses every single inch, there is no white space, where it’s all connected, flowing, and fluid.

Why was One Today chosen as the title of your narrative?

The poem takes us through one day from dawn until midnight. It started as one day, but one today has a double meaning. It has this oneness where we are interconnected to this narrative of America in one day. So it is written as we are all one for that moment, for those 7 minutes where I read the poem at the inauguration. Let’s acknowledge that whether we behave together; let’s be at our best sprit in America. It is that meanings in America that we are one. One Today provides a true spectrum.

Why did you write your poem as a narrative?

I have always been a narrative poet. I think narratively, I always felt like a poet. I love storytelling in general; whether it’s in a poem or an in essay, or just talking to someone. I just love telling stories and that makes it into my poetry, One Today. In the Latino culture there is this art of storytelling. We sit around and it’s time to tell stories. After having coffee and a shot of espresso you just start telling stories and about what happened yesterday, today, last year, or what is going to happen tomorrow. I grew up looking at narratives all my life and stories from the past and present. I listened to adults and heard their stories.

On a practical sense, One Today was my first spoken word poem knowing that it would be heard before it would ever be read. So the idea of a narrative to me is a way of organizing information. When we story tell, it is usually an oral tradition. We have been telling each other poems and stories for many hundreds of years and more than reading them in books. So storytelling was a technique that I needed in that poem. It also needed a logical beginning and end. So it gave the narrative a boundary of time in order to connect the poem.

What is important to you in terms of diversity?

I write from the obsession of finding identity, belonging, place, community, and family and what all that means. I grew up in Miami since I was four years old. I was not educated in Spanish but I can speak Spanish. I write from a place of national loyalty, cultural loyalty which is always in my background. Including my background is something that I do not try, it just is. In some ways as artists we are writing about our experiences to have a larger conversation about everything. It strikes me that here is an irony in art in diversity and inclusion. At the one hand we are drawing our distinctions to acknowledge and distinct them. But with all art we are trying to get to something universal through the very particular message through all of my work. For someone who is not diverse, in a way we are all diverse.

The poem connects that human bridge where we are all human beings. Some times at poetry readings people have said, “Wow your mother is like my grandmother.” Where that person is from Latvia or the person is four generations of New Englanders. They see the humanity, and they do not see the picture of a Latino man, we are talking about the same thing; love, hate, family, belonging, feeling like an odd ball growing up. We’ve been talking about all of these things. There is an irony of diversity and inclusion, and the ultimate goal is to not have to use that word. Diversity is done to show how we are all different, but it is more important to show here is how we are all human. Diversity shares the prefix with division. I want to show in One Today how we are all connected. Here is that bridge of shared humanity. Our great leaders have spoken to us about spiritual confidence and not hate. A place of passion and saying “look at me, look at my humanity. Look at my color and languages. But ultimately “see us, see me, we are human.” We are not abstractions. The power is to see the power in you. This poem is celebrating how we are all connected.

Edwidge Danticat About Immigration

Edwidge Danticat About Immigration

Danticat wrote a modern-day story about a family separated by immigration. Mama’s Nightingale is set in the United States where her mother doesn’t have her citizenship papers. Saya longed for her mother to return home. She cried when she saw her mother at the prison knowing that her mother could not come home because her mother did not have the right citizenship papers. Saya’s parents remained strong for her, and they give her love and positive words to keep her strong. When Saya learns about the power of words, she used her writing to set her mother free. Immigration interrupts families’ lives daily. Danticat and illustrator Leslie Staub displays a story of hope and resilience. Throughout the story, Staub illustrates a nightingale, which reminds of the protection that it brings to Saya and her family. “I chose this story because it is real. Families are being separated because of immigration. When you look in the news and in the media, immigration happens quite a bit. Immigration separates many families. People want the same immigration reform because a lot of families have to choose to stay with their kids or get deported with them. It is a tough one it is a reality. This story is similar to my own because I was separated from my family. We did not have the right papers.” The character Saya was torn up about her family’s separation. She remembered her mother by from recordings such as “Yon istwa dodo pou Saya.” The recording kept her asleep at night because it was her spirit coming to her. The stories of her families native tounge draws Saya to fight for her mother. Danticat as a Haitian author writes books to educate children. She wrote this story from her own. “I used my own personal story because it rings true to Saya’s story. Children and parents who are separated from their family are torn a part. Particularly a lot of kids can see the truthfulness in this story. I would love for kids to learn non-tolerance. This story teaches about the power in words. In Mama’s Nightingale, her mother uses her words to keep her daughter inspired. The little girl uses her words to inspire change. For example, she writes to the newspapers. I think with immigration there are a lot of unwanted bodies. The more individual stories that we hear from, the better.” If you are a person of color, you are writing a story, you are writing a story about yourself, you are not saying “oh I’m not writing a book about diversity.” You take your own complexity humanity, and diversity for granted. I think what’s most important for people like us to tell your own stories. Whether it is school children or making opportunities for persons of color. As consumers of books, we have a responsibility to get those books into classrooms.  We should find their books and attend their events.  We have to find more diverse voices so that the landscape becomes that way. You can learn more about Edwidge Danticat and her story online.